The Meike 50mm F1.2 (300 euros) is a nice 50mm that you will choose for its dreamy atmosphere at F1.2 and for the possibility to get tack sharp images as of F2.8. Meikeâs 50mm f/1.7 is a curious beast whose imaging characteristics take some time to unravel. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Following TstopGearâs review of the Meike 12mm and 35mm, we take a detailed look at the Meike 50mm T2.2 cine lens, filmed on the BMPCC4K. The lens is an affordable, compact-sized cine prime lens. The Prime 35mm T2.1 is Meikeâs second full-frame cine lens which joins the 50mm T2.1. Currently, Meikeâs only cinema lens is a compact prime 25mm T2.2 with a native, all-manual, M/43 mount. This prime lens has a fast T2.1 maximum aperture, standard 0.8 MOD focus and iris gears, and an 11-bladed aperture for smooth, rounded bokeh. The multiple coatings ensure reduced flare and ghosting for greater contrast and color accuracy. Meike MK 50mm F1.7: Verdict. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Meike has declared the new 50mm T2.1 S35-Prime CINE lens for EF and PL mount cameras, furthermore a timeline for future CINE lenses. Each lens covers over 4k resolution and is designed for MFT mount cameras. This large aperture, low distortion cine lens is a great creative tool for shooting high definition footage. Meike expands its full-frame cine lens line with a new 35mm T2.1. The multiple coatings ensure reduced flare and ghosting for greater contrast and color accuracy. After releasing a 50mm T2.1 full-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced a 35mm T2.1 prime that's available in the same mounts.. We were excited about the 50mm T2.1 announcement because the lens wasn't rehoused still glass with cine-friendly features like 0.8m mod gears and a de-clicked aperture, ⦠The lens will have an 11 blade iris design, feature a 23.2 inch (60 cm) minimum focusing distance, and a front diameter of 85mm. Production began in 2014 with a base set of 12mm, 16mm, 25mm, 35mm, and 50mm, all T2.2. Meike MK-4/3-50-2.0 50mm f 2.0 Large Aperture Manual Focus lens APS-C For 4/3 System Mirrorless Cameras Olympus/Panasonic $80.99 Meike MK-EM-35-1.7 35mm f 1.7 Large Aperture Manual Focus lens APS-C For Canon EOS-M Mirrorless cameras MEKE 50mm T2.2 Large Aperture Manual Focus 4K Cine Lens for Micro Four Thirds Mount Compatible with Olympus Panasonic Lumix Cameras and BMPCC 4K Zcam E2 5.0 out of 5 stars 19 $399.99 The first lens they released was a 50mm T/2.1 FF-Prime, and the latest is a 35mm T/2.1 FF-Prime. Comments. AlexandraSD. Meike has announced six new Super35 prime cine lenses for EF, PL, RF, E, L, and Z mounts. From wide angle to telephoto, the full set will include 12, 16, 25, 35 and 50mm lenses. The lens has an 11-blade iris design, a minimum focus distance of 60 cm (23.2 inches) and a front diameter of 85 mm. Manual focus 50mm T2.1 Full F Thank you for waiting.We announce the launch of the second cine lens of Meike in Super35-Prime Cine Lens Series:the Meike 50mm T2.1 today. The complete set includes Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm. MEIKE 50mm f/2.0 Handling and Features. Meike has so far unveiled two new S35 prime lenses as part of their Super 35-Prime Cine Lens Series which will include a total of six lenses that will be at T/2.1. The lens has the market-normal .8mm⦠Read Additional From Source A bright MFT mount cine prime, the 25mm T2.2 Manual Focus Cinema Lens from Meike is a versatile lens suitable for high-resolution cine cameras. The MEIKE Mini Cinema Prime Lens Set MFT Mount is a full production ready set of cine lenses. 0 Additionally, via social media, Meike teased a 50mm T2.1 FF-Prime cine lens that's aimed toward full-frame cameras. Please note: Image for illustration purposes only - Sony E mount supplied. The MFT-mount Meike 50mm T2.2 Manual Focus Cinema Lens features an all-metal housing and low-dispersion glass optics with multilayer coating. Meike 50mm T2.2 Manual Focus Cinema Lens - Sony E Mount. Designed to work alongside the Meike 12, 16, 25 and 35mm - the 50mm T2.2 adds a second portrait lens to the Meike cinema lens range. The focus and iris movement are clean and precise with just the right degree of lubrication for a cine lens. REVIEW: Meike 50mm T2.2 Cine Lens Posted at 07:12h in Gear , GH5 , Learning , Pocket 4K , Products by Joseph Moore 0 Comments tl;dr: Another very strong entry into Meikeâs T.2.2 cine lens ⦠The Meike 50mm T2.1 FF-Prime Lens supports full frame capture, benefiting filmmakers by creating sharp images on cameras with high-resolution sensors, making it well suited for use by filmmakers looking for sharp images with a natural bokeh on cameras with sensors ranging from Super35 to full frame. In addition, Meike teased a 50mm T2.1 FF prime cine lens on social media aimed at full-frame cameras. | MEIKE 50mm T2.1 S35 Key CINE in Interchangeable Lenses. The MFT-mount Meike 50mm T2.2 Manual Focus Cinema Lens features an all-metal housing and low-dispersion glass optics with multilayer coating. Manual focus cinema prime lens in an all-metal body. Hongkong Meike Digital Technology Co., Ltd. Hongkong Meike Digital Technology Co., Ltd Menu. Meike 50mmT2.2M43 Cine lens The Meike Mini Prime 50mm T2.2 is a short-tele/portrait-length manual cine lens designed for Micro 4/3 mount cameras and camcorders, is lightweight. The 50 mm T2.1 is expected to offer 6K and 8K resolutions for large image circles up to 45 mm. This similarity has caused a lot of speculation that Meikeâs lens is a cheap rip-off of Veydraâs design. The lens covers Micro Four Thirds sensors and is designed suitable for use with high-resolution cameras. The lens covers Micro Four Thirds sensors and is designed suitable for use with high-resolution cameras. The EF-mount 50mm T2.1 FF-Prime Cine Lens is one of a series of Meike lenses featuring a 45mm image circle for full-frame sensor coverage. This 50mm F1.7 lens is a manual focus lens with smooth focus and excellent hand feel. The multiple coatings ensure reduced flare and ghosting for greater contrast and color accuracy. Budget lens maker Meike is expanding their cine lens portfolio with a new 50mm T2.1 cine prime for Super 35 in PL and EF mounts. Meike 50mm T2.1 Full-Frame cine prime is now available to pre-order (with a $50 discount) until Sept. 18th for $909 USD. A bright MFT mount cine prime, the 50mm T2.2 Manual Focus Cinema Lens from Meike is a versatile lens suitable for high-resolution cine cameras. This Hard 6-Lens Case for T2.2 Cine Lenses from Meike is designed to safely carry and protect your 12, 16, 25, 35, and 50mm Meike T2.2 lenses. It looks to be a good option if you are thinking about getting a dedicated cine prime lens, but donât have a lot of money to spend. This is the first test footage on BMPCC 6K.Hope you enjoy it! The T2.2 maximum aperture enables working in difficult lighting conditions and offers increased control over depth of field. This is Meikeâs second full-frame cine lens and it now joins the 50mm T2.1. The newest lens to hit the market is the Meike 50mm T2.2 cinema lens. These specs, combined with its form factor, are very similar to the popular, but effectively unavailable, Veydra 25mm prime. ⦠Lenses. The existing 50mm f2.0 is a stills lens; the big benefits you'd get with the new cine lens apart from the possibly better image quality are mainly ergonomic: fully manual aperture and focus control, smooth iris ring, geared rings for use with follow focus, and consistent size with most (all?) Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm. Sigma 28-70mm f/2.8 DG DN L-Mount E-Mount Lens Announced. The multiple coatings ensure reduced flare and ghosting for greater contrast and color accuracy. This is Meikeâs second full-frame cine lens and it now joins the 50mm T2.1. The shell of the case is made out of ABS plastic, so it is durable and impact resistant. Initially, Meike lenses were only available through international purchase over the web which was somewhat sketchy.